December 2010

Wednesday, December 29, 2010

Pokemon Emerald Vba Pp

Face to face with Charles A. Martigli

My interview with Charles A. Martigli find it at this link Milan Black
http://milanonera.hotmag.me/?p=6832

She is a writer, journalist, editor. From his vantage point, what are the trends of contemporary Italian literature? In particular, there is an evolution in the yellow / noir? As
about trends in literature, the yellow noir is always in vogue, at least for sales, but the new trend is that of the historical mystery. For two main reasons: the first is saturated and the initial quality has given way to a level not always of value. The second, born with Umberto Eco and developed by the Anglo-Saxon literature, is growing constantly, perhaps because the "stories" related to "history."

Mondadori has published several horror novels for children under the name of Johnny Red Superbrividi in the series. What attracts most children today: the fantasy / horror or detective? As the boys read?
The horror of course, and without the fantasy that has become tired even the traditionalists. And back in my school I discovered that boys and girls aged 10 to 13 years read more than you expect, but maybe they are ashamed to admit it. There seems to be trendy ...

speak of thriller novel - historical in Italy. In the years following "The Name of the Rose" the genre has gained strength and many are the authors of mystery or noir historians. What attracts the reader of the novel thriller contaminated with the historical investigation?
Just contamination is a major attraction of the grounds. The expertly mixed facts and people really existed, and other imaginary play in a given historical context in a strict and faithful sometimes make it more effective and enjoyable story, it makes it seem more alive and more real. Provided, of course, is well written, and not always the case. Often becomes pedantic and self-congratulatory description of the skills of the writer and then the book is really boring.

His novel, became a long-seller, "999 The last guardian, had a great editorial success, in Italy and abroad. What are the ingredients for the construction of a novel so broad that recounts in three narrative strands more or less distant historical eras?
I think the reasons for the success of 999 The Last Guardian is to be found in the plot, which does not invent, but it takes a truly extraordinary event happened, as the will of a wealthy philosopher to unify the three monotheistic religions more than 500 years ago , and write in plain, although dealing with issues of great stature, making them accessible to a wide audience. The rule is not ever boring the reader, not to betray him with nonsense invented out of whole cloth and give him the desire to finish the book in one evening. The ingredients are trivial: write what you know, or to study and update the time, because the reader knows or feels or if he is cheating. Finally, a great passion for writing. Do not write out of necessity or habit, but to write about the "belly", I often say.

Why the choice of Pico della Mirandola as a protagonist?
I came across Giovanni Pico della Mirandola in my comparative studies on religions. Its findings and cabalistic fascinated me even more to want to get done to establish the uniqueness of God, in an age where between Christians, Jews and Muslims would kill you at every opportunity. More or less, as now, in fact.

It 'just out of Toscana Mysterious, driving fifty-two places in as many short stories, full of dread, mystery and curiosity. Idea very innovative, combining two genres, that of the guide and that of the story of the mystery, which would otherwise have gone. How did you get this idea?
I've always loved the mystery, and I'm restless when I travel to the surface, I do not like tourism hit and run. One day talking to Peter D'Amore, the owner * * Castelvecchio, I told him that a book divided by region, where every writer spoke, the more he wrote, in his way of the mysteries of his land had never been done. And so was born the series Mysterious Italy. Obviously, I have reserved Tuscany, my land, that first taught me to read and write later.

Finally: What do you think of guides to writing and writing schools? She, for example, when it was still overlooked in the field of writing, being served hand and schools? Or is it self taught?
writing manuals are crap, made just to sell them, but are not absolutely nothing. The writing courses, however, if your own group of aspiring writers, can be very useful. I, for one, do not ever one like it. Personally, I am self-taught, in the sense that the passion for writing was born on the banks of the medium. The technique is born instead from a thousand different readings. The only way to learn to write correctly, from grammar to vocabulary and syntax to the ability to structure a story is to read a lot and everything. In Italy, unfortunately there are people who presume to write without reading.

plans for the future?
Is there any film project as a writer, some collaborations with magazines, read my writing horror fun for kids like Johnny Red and are primarily engaged in the preparation of my next novel, due out next year. A story that does not betray the one hundred thousand readers of 999 The Last Guardian, and contains within it a mystery, real and concrete, much larger and more disturbing, if possible, than the previous novel. A shocking story, absolutely true. I can not say more, everything is top secret exit, peremptory order of my agent and friend Pierre Nicolazzini.